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Yellow-Red-Blue

Yellow-Red-Blue (1925) is an oil on canvas painting by Wassily Kandinsky measuring 127 cm × 200 cm. This abstract artwork contrasts bright geometric shapes and darker fluid forms to explore emotional and spiritual themes. Created during Kandinsky’s time at the Bauhaus, it embodies his color and form theories. The painting is housed at the Georges Pompidou National Center for Art and Culture, Paris.

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Dimensions

Original: 127cm x 200 cm, Small: 50.8 cm × 80 cm, Medium: 76.2 cm × 120 cm, Large: 101.6 cm × 160 cm

Price:

Price range: $196.00 through $728.00

Yellow-Red-Blue, created in 1925 by Wassily Kandinsky, is a striking oil on canvas painting measuring 127 cm × 200 cm and is a prime example of abstract art. The work is currently housed at the Georges Pompidou National Center for Art and Culture in Paris. This large-scale piece demonstrates Kandinsky’s deep exploration of the emotional and spiritual power of primary colors—yellow, red, and blue—combined with geometric forms and dynamic lines.

The composition centers around key shapes: a vertical yellow rectangle, an inclined red cross, and a large dark blue circle. These forms are intersected by both straight and sinuous black lines, arcs, and smaller geometric shapes such as squares and triangles. These elements are carefully arranged to provoke thoughtful reflection on the relationships between color, shape, and space. Kandinsky intended the painting to evoke deep emotional responses, inviting viewers to experience a meditative interplay of visual elements.

A notable aspect of the painting is its division into two contrasting halves. The left side features bright colors and structured geometric shapes, dominated by rectangles, squares, and straight lines, creating a sense of order and clarity. In contrast, the right side contains darker, more abstract forms that introduce tension and complexity through varied shapes and fluid lines. This juxtaposition reflects Kandinsky’s interest in balancing opposites and expressing varied emotional states through abstraction.

At the time Kandinsky painted Yellow-Red-Blue, he was teaching at the Bauhaus in Germany, where he developed groundbreaking theories on color and form psychology. His research on points, lines, and planes culminated in the publication of his influential book Point and Line to Plane (1926), which informed much of his artistic approach. This painting reveals his departure from the contemporaneous Constructivist and Suprematist movements, focusing instead on the spiritual resonance and harmony of abstract forms.

Ultimately, Yellow-Red-Blue transcends simple geometric abstraction to become a complex visual symphony that invites prolonged contemplation of color and form. Its mastery of compositional balance and emotional expression secures its place as a landmark in the history of abstract art.