{"id":1301,"date":"2025-07-29T13:50:09","date_gmt":"2025-07-29T19:50:09","guid":{"rendered":"https:\/\/homage-art-to-be.com\/?post_type=product&p=1301"},"modified":"2025-08-19T22:33:57","modified_gmt":"2025-08-20T04:33:57","slug":"the-girls-on-the-bridge","status":"publish","type":"product","link":"https:\/\/homage-art-to-be.com\/es\/producto\/the-girls-on-the-bridge\/","title":{"rendered":"The Girls on the Bridge"},"content":{"rendered":"

The Girls on the Bridge<\/em>\u00a0(1901) by Edvard Munch is a striking example of his Expressionist style, capturing the luminous atmosphere of the Nordic summer nights that so deeply inspired him. Measuring 136 cm \u00d7 125 cm and housed in the National Museum of Oslo, the painting blends figures and landscape into a symbolically unified composition. Nature, as in much of Munch\u2019s work, plays a vital role\u2014not merely as a backdrop, but as an emotional and symbolic force.<\/p>\n

The composition depicts three girls standing on a bridge, their backs turned toward the viewer. Leaning on the railing, they gaze into the water below. The girls\u2019 brightly colored dresses contrast vividly against the softer tones of the landscape\u2014pale pinks, light blues, and deep muted greens\u2014creating a decorative yet emotionally resonant effect. The surrounding scenery evokes \u00c5sg\u00e5rdstrand, the coastal village by the Kristiania Fjord where Munch spent many summers and drew much of his inspiration. In the distance, the stately Ki\u00f8sterudg\u00e5rden manor appears alongside a towering dark-green tree. A low-hanging full moon glows just above the horizon, its pale light adding to the painting\u2019s quiet intensity.<\/p>\n

Munch uses compositional techniques recognizable from works such as\u00a0Rue Lafayette<\/em>\u00a0(1891) and\u00a0The Scream<\/em>\u00a0(1893). The strong diagonal of the bridge railing and the winding road draw the viewer\u2019s eye deep into the scene. Munch frequently reinterpreted visual elements from earlier works, placing them in new contexts to explore shifting moods and meanings.<\/p>\n

When first exhibited in Kristiania in 1901, the painting was titled\u00a0Sommeraften<\/em>\u00a0(Summer Evening<\/em>). It appeared the following year at the Berlin Secession under the title\u00a0Norwegische Sommernacht<\/em>\u00a0(Norwegian Summer Night<\/em>). While its monumental scale and simplified forms echo\u00a0The Dance of Life<\/em>\u00a0(1899\u20131900), the subject here is more restrained\u2014focusing on childhood rather than love, with fewer narrative or symbolic gestures.<\/p>\n

By 1898, Munch had purchased a small home in \u00c5sg\u00e5rdstrand, forging close ties with the community. Many locals served as models for his works, including\u00a0The Girls on the Bridge<\/em>. He later remarked, \u201cWalking here is like walking among my paintings. I have such a desire to paint when I am walking in \u00c5sg\u00e5rdstrand.\u201d The version in the National Museum is the earliest of several variations he produced of this iconic motif.<\/p>","protected":false},"excerpt":{"rendered":"

Edvard Munch\u2019s\u00a0The Girls on the Bridge<\/em>\u00a0(1901), an Expressionist masterpiece measuring 136 cm \u00d7 125 cm, captures the luminous atmosphere of the Nordic summer. Now in the National Museum of Oslo, it depicts three girls leaning over a bridge railing, gazing into the water. Their vivid dresses contrast with the soft pinks, blues, and greens of the \u00c5sg\u00e5rdstrand landscape. A low moon glows in the background, while the sweeping bridge leads the viewer into the scene. Painted during Munch\u2019s close connection to \u00c5sg\u00e5rdstrand, this work\u2014one of several variations\u2014reflects his blend of decorative form, symbolic mood, and deep engagement with nature.<\/p>","protected":false},"featured_media":1267,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[21,73,51,212,79,215,72,24,202,223,245,23],"product_tag":[],"class_list":["post-1301","product","type-product","status-publish","has-post-thumbnail","product_cat-artist","product_cat-artistic-style","product_cat-edvard-munch","product_cat-everyday-life","product_cat-expressionism","product_cat-landscape-theme","product_cat-munch","product_cat-museum","product_cat-oslo","product_cat-romantic","product_cat-the-national-museum-oslo","product_cat-theme","first","instock","taxable","shipping-taxable","purchasable","product-type-variable"],"_links":{"self":[{"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/product\/1301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/comments?post=1301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/media\/1267"}],"wp:attachment":[{"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/media?parent=1301"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/product_brand?post=1301"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/product_cat?post=1301"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/homage-art-to-be.com\/es\/wp-json\/wp\/v2\/product_tag?post=1301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}